Swiss National Singing Festival | Zurich

Author

Burkhard Mangold

Year of printing

1905

Printing Technology

Lithography

Printing Company

Fretz Brothers Printing Company

Condition

Asking price (CHF):

Leaf size (cm)

Kategorien , , ,

1 in stock

One of the very first original posters designed by Burkhard Mangold, selected for production as part of a competition organized by the organizers of the annual singers’ festival—a competition that also opened doors for the Basel native in Zurich —especially since Johann Edwin Wolfensberger had hired him that same year as a poster artist at his printing shop: the Graphische Anstalt J. E. Wolfensberger, arguably the most important cradle of modern Swiss poster art.

The motif, in the style of the Vienna Secession—founded in 1897 as a protest against academic (i.e., archaic) painting—focuses entirely on Orpheus: The naked singer and poet from Greek mythology, accompanied by his trademark lyre, is carried into the city of Zurich by a dolphin, to whom he brings, so to speak, the good news.

That must have made the people of Zurich very happy; after all, Orpheus’s singing had so impressed Hades himself that he was willing to give Eurydice back.

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