Le Corbusier, the artist

Our offer

It was Le Corbusier's artistic oeuvre that laid the foundation for Placart fifteen years ago. The gallery is now able to offer the world's largest selection of LC's lithographs, etchings and engravings - a selection that can be viewed in Zurich on site or on art-LC.com to discover. We have also sold unique pieces - drawings as well as an oil painting - and a tapestry.

Experts and collectors alike also appreciate the catalog «Building on Art - Le Corbusier's Prints from Five Decades», which the gallery has written and published on the occasion of its exhibition of the same name at the Architekturforum Zürich - especially because of the explanations by gallery owner Tomas Rabara about LC's entire graphic oeuvre and the information about the editions, some of which have been published several times and posthumously. (Image: Screenshot art-LC.com)

Testimonials

Tomas was incredibly knowledgeable and passionate about Le Corbusier, was helpful from start to finish (including post-sale advice on framing), and an absolute pleasure to deal with. Strongly recommended.

Customer from London

“Just to have a look” turned into a love story with a Le Corbusier at PLACART's. Tomas is very knowledgeable concerning all there is to know about Le Corbusier and was wise enough to give me time to doubt and redoubt before making the decisioin to buy this incredible, beautiful piece of art.

Customer from Bern

Tomas was able to provide me with the best advice. He is very accommodating - overall an amazing experience.

Customer from French-speaking Switzerland

Great Seller!!! Look forward to doing business again.

Customer from Florida

Exhibition in Singapore, fall 2019

PLACART, in collaboration with G8A Architects and with the kind support of the local Swiss Embassy and Space Furniture, has organized the first exhibition of LC's artistic oeuvre in Singapore with a selection of works by Le Corbusier from its own collection. Further information on Facebook.

«The key to my architecture»

A pioneer of modernism as an architect, a guaranteed sensation as an urbanist and author, the creator of timeless armchairs as a designer: Le Corbusier - born Charles-Edouard Jeanneret-Gris in La Chaux-de-Fonds, Switzerland, in 1887 - is a berserker of creative energy, fabulously productive, incredibly creative, idolized and demonized in his lifetime.

He draws strength and inspiration for this tour de force from his art. It is «the key to my architecture», as he repeatedly emphasizes. Around 500 oil paintings - many of which now fetch prices in the millions -, thousands of drawings and collages, hundreds of prints and countless tapestries, sculptures and enamel works bear witness to this. This is where he developed his arsenal of forms, which he then used as an architect, and where he researched the balance of proportions.

Between 1916 - even before his first purist paintings - and 1965, Le Corbusier repeatedly worked on prints, taking up all his central themes, whether still lifes, the «objets à réaction poétique» or the «five points of a new architecture» that established his fame in the 1920s. His graphic work ultimately comprises around 200 sheets, most of them signed and printed by the masters of his time.

Le Corbusier approached these sheets with great care. In his sense of mission, they are always also a means of communication for him. In 1963, for example, he wrote to the lithographer Fernand Mourlot that prints were «à disposition des gens intelligents . . . . . et pauvres (!) qui seraient ravis de payer très bon marché un mural de papier à punaiser sur leurs murs».